Masaaki Hatsumi: Dojo Art (Kickstarter Project)

Masaaki Hatsumi: Dojo Art will be a professionally designed book of paintings and calligraphy by Bujinkan Soke, Masaaki Hatsumi.

This is a book in the planning by Steve Olsen, he is looking for people backing his book on Kickstarter. If he gets enough backers he will make the book, if not it won’t be a book. It is up to you if there will be one.

BACKGROUND

During break in his martial arts classes at the Bujinkan Hombu Dojo in Noda City, Japan, Hatsumi-Sensei paints for his students. He paints calligraphy and pictures. His art contains advice to his students and historical influence from the nine Japanese martial traditions he is the head instructor of

BOOK DESIGN

7504d495979ea290e9e6588215adb469_largeOur designer, Dan Saal, is a real pro. He’s an award-winning art book designer and he knows how to design beautiful books that bring the essence of topics to life. Dan’s sample layouts already look great and I look forward to working with him to finish the project.

For an idea of the quality you can expect, take a look at some of Dan’s work here:
http://www.studiosaal.com
http://www.studiosaal.com/awards.html

Support the project here… http://www.kickstarter.com/projects/1780878098/masaaki-hatsumi-dojo-art

Kukishin-ryu Bojutsu – Keiko Sabaki kata – 03 – Sashiai

Disclaimer; this is not necessarily the correct way of doing this technique, it is the way I see how it should be done.

差合 SASHI AI

Technique No 3 from Kukishin-ryu Rokushaku Bôjutsu – Keiko sabaki kata

Bojutsu - Keiko Sabaki kata - 03 - Sashi-ai(A)

1. I assume Chûdan no kamae and plan to make the opponent open up his left side…

Bojutsu - Keiko Sabaki kata - 03 - Sashi-ai(B)

2. I move the left foot forward to the left and enter in to the opponent’s right side. I angle the body in a way to draw the attention to my left hand and hide the right hand sliding back to the end of the staff.

Bojutsu - Keiko Sabaki kata - 03 - Sashi-ai(C)

3. I step forward with the left foot and thrust in chudan-tsuki to the opponent and force him to move. Since I enter on his right side I pretty much force him to move to his left.

Note: If he is not moving I strike through his guard and get him. If he put force into the block it is better for me, but I’m not waiting to feel it (physically) then it would be to late for the next step.

Bojutsu - Keiko Sabaki kata - 03 - Sashi-ai(D)

4. I quickly move the right foot forward and strike his left elbow with dô-uchi.

Bojutsu - Keiko Sabaki kata - 03 - Sashi-ai(E)

5. Then another quick kote-haneage strike from under to his right arm to completely disarm him. The kata officially finish here, but it is easy to keep going and take control of the space and the weapon he just lost.

Bojutsu - Keiko Sabaki kata - 03 - Sashi-ai(F)

6. Then I jump back to Seigan no kamae and assume zanshin (because the next kata starts from here which makes it easier to remember the next kata).

After you and your partner have learned the kata, try to work on a better defense with the sword. Try to be more offensive and gradually make it more difficult to attack with the staff, instead of moving backwards move forwards and be more offensive. The swordsman’s distance is shorter and he need to be on a safe distance or closer where he can get the opponent with the staff quickly. The person with the staff need to be outside the swordsman’s reach or be completely covered. You can practice this technique with more freely distance and timing, but keep the same sequence of attacks (keep to the kata). If you do this I suggest you use safe weapons (padded weapons) and maybe protections, or just be very careful.

There is also kuden; things taught personally from teacher to student, so please find a good teacher and study with him/her.

Happy training!

/Mats

Web site update

I changed the Menu, I hope it looks better and works on all systems, if not please contact me!

I also added two new more pages under “Bujinkan”, it is Kukishin-ryu Dakentaijutsu and Bojutsu. I plan to add pages for the other schools and weapons later.